Criterion Forum

[PREACHER]

An ongoing survey of the Criterion Forum membership to create lists of the best films of each decade.

Los resultados son más interesantes de lo habitual en este tipo de encuestas y, como participan algunos foreros de CFC (Serdar) y otros "conocidos" (Lubitsch, Tommaso), he decidido publicar aquí los resultados. A vuestro predicador le invitaron a partir de los años 20 y, pese a mis esfuerzos, es difícil llevar al rebaño por el buen camino (aunque yo vote por películas hispanas, si no hay subtítulos en inglés no hay forma de hacerles un hueco).

[PREACHER]

The Pre-1920s (compiled June 2010)

1. Herr Arnes pengar (Mauritz Stiller, 1919)
2. Posle smerti [After Death] (Yevgeni Bauer, 1915)
3. Broken Blossoms (D.W. Griffith, 1919)
4. Berg-Ejvind och hans hustru (Victor Sjöström, 1918)
5. Les Vampires (Louis Feuillade, 1915)
6. Intolerance (D.W. Griffith, 1916)
7. The Sinking of the Lusitania (Winsor McCay, 1918)
8. Umirayushchii lebed [The Dying Swan] (Yevgeni Bauer, 1917)
9. Regeneration (Raoul Walsh, 1915)
10. Præsidenten (Carl Theodor Dreyer, 1919)
11. Suspense (Lois Weber & Phillips Smalley, 1913)
12. Mest kinematograficheskogo operatora (Władysław Starewicz, 1912)
12. Blind Husbands (Erich von Stroheim, 1919)
14. J’Accuse (Abel Gance, 1919)
15. Fantomas (Louis Feuillade, 1913)
16. Panoramic View of the Morecambe Sea Front (Mitchell & Kenyon, 1901)
17. Die Austernprinzessin (Ernst Lubitsch, 1919)
18. Terje Vigen (Victor Sjöström, 1917)
19. Cabiria (Giovanni Pastrone, 1914)
20. Ingeborg Holm (Victor Sjöström, 1913)
21. Hell's Hinges (William S. Hart, 1916)
22. Det hemmelighedsfulde X (Benjamin Christensen, 1914)
23. The Blue Bird (Maurice Tourneur, 1918)
24. Hypocrites (Lois Weber, 1915)
25. Easy Street (Charles Chaplin, 1917)
25. Il Fuoco (Giovanni Pastrone, 1916)
27. When the Clouds Roll By (Victor Fleming, 1919)
28. The Birth of a Nation (D.W. Griffith, 1915)
29. Hævnens nat (Benjamin Christensen, 1916)
30. Ditya bolshogo goroda [A Child of the Big City] (Yevgeni Bauer, 1914)
31. The Land beyond the Sunset (Harold M. Shaw, 1912)
32. Le voyage dans la lune (Georges Melies, 1902)
33. Die Puppe (Ernst Lubitsch, 1919)
34. Gryozy [Daydreams] (Yevgeni Bauer, 1915)
35. The ? Motorist (Walter R. Booth, 1906)
36. The Italian (Reginald Barker, 1915)
37. New York Subway (G.W. Bitzer, 1905)
38. Za schastem [For Happiness] (Yevgeni Bauer, 1917)
39. Sumerki zhenskoi dushi [Twilight of a Woman's Soul] (Yevgeni Bauer, 1913)
40. The Passer-By (Oscar Apfel, 1912)
41. L’Enfant de Paris (Leonce Perret, 1913)
42. The Immigrant (Charles Chaplin, 1917)
43. Laveuses sur la rivière (Lumiere, 1897)
43. The Big Swallow (James Williamson, 1901)
45. La sortie des usines Lumière (Lumiere, 1895)
46. Bucking Broadway (John Ford, 1917)
47. Homunculus (Otto Rippert, 1916)
47. Fantasmagorie (Emile Cohl, 1908)
49. The Teddy Bears (Edwin S. Porter & Wallace McCutcheon, 1907)
50. A Day in the Life of a Coal Miner (unknown, 1910)
50. The Great Train Robbery (Edwin S. Porter, 1903)
52. Ich möchte kein Mann sein (Ernst Lubitsch, 1918)
52. The Invaders (Francis Ford, 1912)
54. The Avenging Conscience (D.W. Griffith, 1914)
55. South (Frank Hurley, 1919)
56. A Dog's Life (Charles Chaplin, 1918)
57. Mobilier fidele (attributed to Bosetti or Cohl, 1910)
58. Frankenstein (J. Searle Dawley, 1910)
59. Die Spinnen (Fritz Lang, 1919)
60. A Lively Quarter-Day (J.H. Martin, 1906)
61. Coney Island at Night (Edwin S. Porter, 1905)
61. The Whispering Chorus (Cecil B. DeMille, 1918)
61. Cenere (Febo Mari, 1916)
64. Dickson Experimental Sound Film (Edison, 1894)
64. Gertie the Dinosaur (Winsor McCay, 1914)
66. Le mystère des roches de Kador (Leonce Perret, 1912)
67. Indochina: Children Gathering Rice Scattered by Western Women (Lumiere, ?)
68. The Wishing Ring (Maurice Tourneur, 1914)
69. A Chess Dispute (R.W. Paul, 1903)
70. Life of an American Fireman (Edwin S. Porter, 1903)
71. Gretchen the Greenhorn (Sidney Franklin, 1916)
72. Monkeyshines No. 1 (William K.L. Dickson & William Heise, 1890)
72. Judex (Louis Feuillade, 1916)
74. Départ de Jérusalem en chemin de fer (Lumiere, 1897)
74. Where are my Children? (Lois Weber & Phillips Smalley, 1916)
76. From Leadville to Aspen: A Hold-Up in the Rockies (Biograph, 1906)
76. A Corner in Wheat (D.W. Griffith, 1909)
76. Civilization (Thomas H. Ince, 1916)
79. Le printemps (Louis Feuillade, 1909)
79. Tram Ride into Halifax (Mitchell & Kenyon)
81. Serpentine Dance (Lumiere, 1899)
82. Afgrunden (Urban Gad, 1910)
83. Rapsodia satanica (Nino Oxilia, 1915)
84. One A.M. (Charles Chaplin, 1916)
84. Figures de cire (Maurice Tourneur, 1914)
85. Der Student von Prag (Stellan Rye, 1913)
85. The Courage of the Commonplace (Rollin S. Sturgeon, 1913)
87. The Cook (Roscoe Arbuckle, 1918)
88. Indochina: Panorama Taken from a Rickshaw (Lumiere, ?)
89. Mary Jane's Mishap (G.A. Smith, 1903)
90. The Painted Lady (D.W. Griffith, 1912)
91. The Airship Destroyer (Walter R. Booth, 1909)
92. Skyscrapers of New York from North River (Edison, 1903)
92. The Mystery of the Leaping Fish (Christy Cabanne & John Emerson, 1916)
92. The Cheat (Cecil B. DeMille, 1915)
95. Victory (Maurice Tourneur, 1919)
96. A Desperate Poaching Affray (William Haggar, 1903)
96. Revolyutsioner (Yevgeni Bauer, 1917)
96. Ask Father (Harold Lloyd, 1919)
96. La vie du Christ (Alice Guy, 1906)
100. The Country Doctor (D.W. Griffith, 1909)

The Also-Rans

Dream of the Rarebit Fiend (Edwin S. Porter)
An Unseen Enemy (D.W. Griffith)
Nerven (Robert Reinert, 1919)
Arrivée d’un train en gare à La Ciotat (Lumiere, 1896)
La Folie du Docteur Tube (Abel Gance, 1915)
The Magic Sword (Walter R. Booth, 1901)
La dixieme symphonie (Abel Gance, 1918)
The Wonderful Wizard of Oz (Otis Turner, 1910)
Panoramic View, Aisle B, Westinghouse Works (G.W. Bitzer, 1904)
Tih Minh (Louis Feuillade, 1918)
Nugget Jim's Pardner (Frank Borzage, 1916)
The Sentimental Bloke (Raymond Longford, 1919)
True Heart Susie (D.W. Griffith, 1919)
The Kiss (Edison, 1896)
The Unchanging Sea (D.W. Griffith, 1910)
Who Pays? Episode 12, Toil and Tyranny (Harry Harvey, 1915)
Fire! (James Williamson, 1901)
A Fool There Was (Theda Bara, 1915)
Wild and Woolly (Douglas Fairbanks, 1917)
Thais (Anton Giulio Bragaglia, 1917)
Le coeur et l'argent (Louis feuillade, 1912)
Le voyage à travers l'impossible (Georges Melies, 1904)
L'inferno (Bertolini/Padovan/de Liguoro)
Falling leaves (Alice Guy, 1912)
Gli ultimi giorni di Pompeii (Mario Caserini, 1913)

[PREACHER]

The 1920s list (compiled January 2011)

1. La Passion de Jeanne d'Arc (Dreyer)
2. Sunrise (Murnau)
3. The General (Keaton)
4. Der letzte Mann (Murnau)
5. Lonesome (Fejös)
6. The Man with the Movie Camera (Vertov)
7. Sherlock jr. (Keaton)
8. The Wind (Sjöström)
9. A Page of Madness (Kinugasa)
10. The Crowd (Vidor)
11. The Docks of New York (Sternberg)
12. Faust (Murnau)
13. Menilmontant (Kirsanoff)
14. Greed (Stroheim)
15. Battleship Potemkin (Eisenstein)
16. Nosferatu (Murnau)
17. A Cottage on Dartmoor (Asquith)
18. La Chute de la Maison Usher (Epstein)
19. The Last Command (Sternberg)
20. Finis terrae (Epstein)
21. Metropolis (Lang)
22. Un Chien andalou (Bunuel)
23. 7th Heaven (Borzage)
24. Dr. Mabuse (Lang)
25. Our Hospitality (Keaton)
25. The Phantom Carriage (Sjöström)
27. The Wedding March (Stroheim)
28. Napoleon (Gance)
28. Die Büchse der Pandora (Pabst)
30. Das Cabinet des Dr. Caligari (Wiene)
31. Asphalt (May)
32. Die wunderbare Lüge der Nina Petrowna (Schwarz)
33. Gold Rush (Chaplin)
34. Safety Last (Lloyd)
35. Blackmail (Hitchcock)
36. Maldone (Gremillon)
37. The Big Parade (Vidor)
38. Queen Kelly (Stroheim)
39. Die Abenteuer des Prinzen Achmed (Reiniger)
40. Die Nibelungen (Lang)
41. München-Berlin Wanderung (Fischinger)
42. Bed and Sofa (Room)
43. Zvenigora (Dovzhenko)
44. Street Angel (Borzage)
45. The Lodger (Hitchcock)
46. Michael (Dreyer)
47. He who gets slapped (Sjöström)
47. Underworld (Sternberg)
49. Seven Chances (Keaton)
50. There it is (Bowers)
51. The Unknown (Browning)
52. Tagebuch einer Verlorenen (Pabst)
53. Days of Youth (Ozu)
54. The Parson's Widow (Dreyer)
54. La Roue (Gance)
54. The Merry Widow (Stroheim)
57. One Week (Keaton)
58. The Love Parade (Lubitsch)
59. Coeur fidele (Epstein)
60. Erotikon (Machaty)
61. My Best Girl (Taylor)
62. The Kid (Chaplin)
62. The Circus (Chaplin)
64. Steamboat Bill jr. (Keaton)
65. Applause (Mamoulian)
66. Hintertreppe (Jessner & Leni)
66. Storm over Asia (Pudovkin)
68. A Throw of Dice (Osten)
68. Foolish Wives (Stroheim)
70. Lady Windermere's Fan (Lubitsch)
71. Girl Shy (Lloyd)
72. My Grandmother (Miqaberidze)
73. The Cameraman (Keaton)
73. Spione (Lang)
75. Hindle Wakes (Elvey)
76. Berlin Symphonie einer Großstadt (Ruttmann)
76. The Thief of Bagdad (Walsh)
78. Häxan (Christensen)
78. Piccadilly (Dupont)
78. Lucky Star (Borzage)
81. Variete (Dupont)
82. Dans la Nuit (Vanel)
83. The Student Prince in Old Heidelberg (Lubitsch)
84. Never Weaken (Lloyd)
84. The Playhouse (Keaton)
84. H2O (Steiner)
87. Visages d'enfants (Feyder)
88. The Undying Pearl (Shimizu)
88. L'Invitation au Voyage (Dulac)
90. Die Straße (Grune)
91. Die freudlose Gasse (Pabst)
92. Paris qui dort (Clair)
92. Wings (Wellman)
94. The Iron Horse (Ford)
94. Scherben (Pick)
96. L'Argent (L'Herbier)
97. The Scarecrow (Keaton)
98. Big Business (Laurel & Hardy)
99. Ungarische Rhapsodie (Schwarz)
99. Show People (Vidor)
99. Abwege (Pabst)

102. Cops (Keaton)
103. Tol'able David (King)
104. La Merveilleuse Vie de Jeanne d'Arc (de Gastyne)
105. Arsenal (Dovzhenko)
106. The Godless Girl (DeMille)
106. Blade af Satans bog (Dreyer)
108. The High Sign (Keaton)
108. The River (Borzage)
110. Brudeferden i hardanger (Breistein)
110. La Coquille et le Clergyman (Dulac)
112. Tusalava (Lye)
113. Du skal ære din hustru (Dreyer)
114. Flesh and the Devil (Brown)
114. La Glace a trois faces (Epstein)
116. Miss Lulu Bett (de Mille)
117. Der müde Tod (Lang)
118. Neighbors (Keaton)
119. L'Inhumaine (L'Herbier)
120. Nanook (Flaherty)
120. Lazybones (Borzage)
122. Staroye i novoye (Eisenstein)
122. October (Eisenstein)
122. The Man who laughs (Leni)
125. Der lebende Leichnam (Otsep)
126. L'Atlantide (Feyder)
126. Chang (Schoedsack & Cooper)
126. Jenseits der Straße (Mittler)
129. My Wife's Relations (Keaton)
130. The Cat and the Canary (Leni)
130. Johan (Stiller)
132. Der Student von Prag (Galeen)
132. Entr'acte (Clair)
134. Shinel (Kozintsev & Trauberg)
135. Mother (Pudovkin)
136. Heimkehr (May)
136. Die Frau im Mond (Lang)
136. The Last of the Mohicans (Tourneur)
139. The Manxman (Hitchcock)
140. Jujiro (Kinugasa)
140. The Fall of the House of Usher (Watson & Webber)
142. Vormittagsspuk (Richter)
143. The Chehahcos (Moomaw)
143. Der var engang (Dreyer)
145. The Boat (Keaton)
145. The End of St. Petersburg (Pudovkin)
147. The Great Gabbo (Cruze)
148. Phantom (Murnau)
149. La petite marchande des alumettes (Renoir)
149. The Navigator (Keaton)
151. Moulin Rouge (Dupont)
151. Tartüff (Murnau)
151. The Penalty (Worsley)
154. Strike (Eisenstein)
154. Die weiße Hölle vom Piz Palü (Fanck & Pabst)
154. The Skeleton Dance (Disney)
157. Within our Gates (Micheaux)
158. The Kid Brother (Lloyd)
158. Gösta berlings saga (Stiller)
158. Battling Butler (Keaton)
161. Das Wachsfigurenkabinett (Leni)
162. Casanova (Volkoff)

[PREACHER]

The 1930s List (compiled August 2011)

01. The Rules of the Game (Jean Renoir, 1939)
02. Bringing Up Baby (Howard Hawks, 1938)
03. Trouble in Paradise (Ernst Lubitsch, 1932)
04. L'Atalante (Jean Vigo, 1934)
05. La grande illusion (Jean Renoir, 1938)
06. Vampyr (Carl Dreyer, 1932)
07. The Scarlet Empress (Josef von Sternberg, 1934)
08. Shanghai Express (Josef von Sternberg, 1932)
09. M (Fritz Lang, 1931)
10. City Lights (Charles Chaplin, 1931)
11. Tabu (F.W. Murnau, 1931)
12. Make Way for Tomorrow (Leo McCarey, 1937)
13. Stagecoach (John Ford, 1939)
14. Partie de campagne (Jean Renoir, 1936)
15. Pépé le Moko (Julien Duvivier, 1937)
16. Only Angels Have Wings (Howard Hawks, 1939)
17. The 39 Steps (Alfred Hitchcock, 1935)
18. The Testament of Dr. Mabuse (Fritz Lang, 1933)
19. Port of Shadows (Marcel Carné, 1938)
tie. The Lady Vanishes (Alfred Hitchcock, 1938)
21. I Was Born, But… (Yasujirô Ozu, 1932)
22. Modern Times (Charles Chaplin, 1936)
23. Boudu Saved from Drowning (Jean Renoir, 1932)
24. The Roaring Twenties (Raoul Walsh, 1939)
25. Duck Soup (Leo McCarey, 1933)
26. The Devil Is a Woman (Josef von Sternberg, 1935)
27. Stage Door (Gregory La Cava, 1937)
28. Humanity and Paper Balloons (Sadao Yamanaka, 1937)
29. Love Me Tonight (Rouben Mamoulian, 1932)
30. Bride of Frankenstein (James Whale, 1935)
31. City Girl (F.W. Murnau, 1930)
32. Holiday (George Cukor, 1938)
33. All Quiet on the Western Front (Lewis Milestone, 1930)
34. My Man Godfrey (Gregory La Cava, 1936)
35. Mr. Thank You (Hiroshi Shimizu, 1936)
36. It Happened One Night (Frank Capra, 1934)
37. The Story of the Late Chrysanthemums (Kenji Mizoguchi, 1939)
tie. Design for Living (Ernst Lubitsch, 1933)
39. Earth (Aleksandr Dovzhenko, 1930)
40. The Only Son (Yasujirô Ozu, 1936)
41. King Kong (Merian Cooper & Ernest Schoedsack, 1933)
42. The Wizard of Oz (Victor Fleming, 1939)
43. Gueule d'amour (Jean Grémillon, 1937)
44. I Am a Fugitive from a Chain Gang (Mervyn LeRoy, 1932)
45. Liebelei (Max Ophüls, 1933)
tie. Fury (Fritz Lang, 1936)
47. À nous la liberté (René Clair, 1931)
48. The Edge of the World (Michael Powell, 1937)
tie. People on Sunday (Robert Siodmak & Edgar Ulmer, 1930)
50. Twentieth Century (Howard Hawks, 1934)
51. L'âge d'or (Luis Buñuel, 1930)
52. Blonde Venus (Josef von Sternberg, 1932)
tie. The Awful Truth (Leo McCarey, 1937)
54. Rapt (Dimitri Kirsanoff, 1934)
55. The Bitter Tea of General Yen (Frank Capra, 1933)
56. Ninotchka (Ernst Lubitsch, 1939)
57. La petite Lise (Jean Grémillon, 1930)
58. Le crime de Monsieur Lange (Jean Renoir, 1936)
59. The Public Enemy (William Wellman, 1931)
tie. Osaka Elegy (Kenji Mizoguchi, 1936)
61. Study No. 7 (Oskar Fischinger, 1931)
62. La bête humaine (Jean Renoir, 1938)
tie. Young Mr. Lincoln (John Ford, 1939)
64. Drôle de drame (Marcel Carné, 1937)
65. Der Kongreß tanzt (Erik Charell, 1931)
66. Maskerade (Willi Forst, 1934)
67. Midnight (Mitchell Leisen, 1939)
68. Zéro de conduite (Jean Vigo, 1933)
69. Top Hat (Mark Sandrich, 1935)
70. Le jour se lève (Marcel Carné, 1939)
71. La signora di tutti (Max Ophüls, 1934)
tie. Las Hurdes (Luis Buñuel, 1933)
73. Dr. Jekyll and Mr. Hyde (Rouben Mamoulian, 1931)
74. 42nd Street (Lloyd Bacon, 1933)
75. Morgen beginnt das Leben (Werner Hochbaum, 1933)
76. Fährmann Maria (Frank Wisbar, 1936)
tie. Sisters of the Gion (Kenji Mizoguchi, 1936)
78. Ich bei Tag und du bei Nacht (Ludwig Berger, 1932)
79. Monkey Business (Norman McLeod, 1931)
80. Tange Sazen and the Pot Worth a Million Ryo (Sadao Yamanaka, 1935)
81. The Gay Divorcee (Mark Sandrich, 1934)
82. Gold Diggers of 1933 (Mervyn LeRoy, 1933)
83. Au bonheur des dames (Julien Duvivier, 1930)
tie. Toni (Jean Renoir, 1935)
85. Scarface (Howard Hawks, 1932)
86. Rose Hobart (Joseph Cornell, 1936)
tie. The 3 Penny Opera (G.W. Pabst, 1931)
tie. Happiness (Aleksandr Medvedkin, 1935)
89. Mr. Smith Goes to Washington (Frank Capra, 1939)
90. Poil de carotte (Julien Duvivier, 1932)
91. Freaks (Tod Browning, 1932)
92. Apart from You (Mikio Naruse, 1933)
tie. Ruggles of Red Gap (Leo McCarey, 1935)
94. The Blood of a Poet (Jean Cocteau, 1930)
tie. Le million (René Clair, 1931)
96. Japanese Girls at the Harbor (Hiroshi Shimizu, 1933)
97. Limite (Mario Peixoto, 1931)
98. Morning's Tree-Lined Street (Mikio Naruse, 1936)
99. Der Student von Prag (Arthur Robison, 1935)
100. The Goddess (Wu Yonggang, 1934)

Also-Rans

Easy Living (Mitchell Leisen, 1937)
The Adventures of Robin Hood (Michael Curtiz, 1938)
Salt for Svanetia (Mikhail Kalatozov, 1930)
Alexander Nevsky (Sergei Eisenstein, 1938)
The Black Cat (Edgar Ulmer, 1934)
The Good Fairy (William Wyler, 1935)
Mädchen in Uniform (Leontine Sagan & Carl Froelich, 1931)
Gone with the Wind (Victor Fleming, 1939)
The Blue Angel (Josef von Sternberg, 1930)
The Thin Man (W.S. Van Dyke, 1934)
Morocco (Josef von Sternberg, 1930)
Pygmalion (Anthony Asquith & Leslie Howard, 1938)
Mad Love (Karl Freund, 1935)
Anna und Elisabeth (Frank Wisbar, 1933)
Marius (Alexander Korda, 1931)
The Most Dangerous Game (Irving Pichel & Ernest Schoedsack, 1932)
It's a Gift (Norman McLeod, 1934)
An Inn in Tokyo (Yasujirô Ozu, 1935)
The Story of a Cheat (Sacha Guitry, 1936)
Swing Time (George Stevens, 1936)
Man's Castle (Frank Borzage, 1933)
Snow White and the Seven Dwarfs (David Hand, 1937)
Trade Tattoo (Len Lye, 1937)
Wife! Be Like a Rose! (Mikio Naruse, 1935)
Peter Ibbetson (Henry Hathaway, 1935)
The Old Mill (Wilfred Jackson, 1937)
The Devil-Doll (Tod Browning, 1936)
Horse Feathers (Norman McLeod, 1932)
You Only Live Once (Fritz Lang, 1937)
Frankenstein (James Whale, 1931)
Dragnet Girl (Yasujirô Ozu, 1933)
La chienne (Jean Renoir, 1931)
Children in the Wind (Hiroshi Shimizu, 1937)
Every Night Dreams (Mikio Naruse, 1933)
A Midsummer Night's Dream (William Dieterle, 1934)
Waterloo Bridge (James Whale, 1931)
Street Angel (Yuan Mu-jih, 1937)
Mayerling (Anatole Litvak, 1936)
Animal Crackers (Victor Heerman, 1930)
Le roman de renard (Wladyslaw & Irene Starewicz, 1930)
La belle équipe (Julien Duvivier, 1936)
The Eagle and the Hawk (Stuart Walker, 1933)
Footlight Parade (Lloyd Bacon, 1933)
The Last Flight (William Dieterle, 1931)
The Merry Widow (Ernst Lubitsch, 1934)
Heroes for Sale (William Wellman, 1933)
Das Lied ist aus (Géza von Bolváry, 1930)
Le grand jeu (Jacques Feyder, 1934)
Nothing Sacred (William Wellman, 1937)
History Is Made at Night (Frank Borzage, 1939)
Bad Girl (Frank Borzage, 1931)
The Masseurs and a Woman (Hiroshi Shimizu, 1938)
An Optical Poem (Oskar Fischinger, 1937)
Philips Radio (Joris Ivens, 1931)
Drums Along the Mohawk (John Ford, 1939)
The Big Trail (Raoul Walsh, 1930)
The Four Feathers (Zoltán Korda, 1939)
American Madness (Frank Capra, 1932)
Swing You Sinners! (Dave Fleischer, 1930)
Daïnah la métisse (Jean Grémillon, 1931)
Rhythm in Light (Mary Ellen Bute & Theodore Nemeth, 1934)
The Smiling Lieutenant (Ernst Lubitsch, 1931)
Wooden Crosses (Raymond Bernard, 1932)
By the Bluest of Seas (Boris Barnet, 1936)
Under the Roofs of Paris (René Clair, 1930)
Things to Come (William Menzies, 1936)
The Hunchback of Notre Dame (William Dieterle, 1939)
The Music Box (James Parrott, 1932)
You Can't Take It with You (Frank Capra, 1939)
Angel (Ernst Lubitsch, 1937)
Red Dust (Victor Fleming, 1932)
Libeled Lady (Jack Conway, 1936)
A Colour Box (Len Lye, 1935)
The Invisible Man (James Whale, 1933)
Kuhle Wampe oder: Wem gehört die Welt (Slatan Dudow, 1932)
Komposition in Blau (Oskar Fischinger, 1935)
A Night at the Opera (Sam Wood, 1935)
Marie, légende hongroise (Pál Fejös, 1932)
La kermesse héroïque (Jacques Feyder, 1935)
Die Drei von der Tankstelle (Wilhelm Thiele, 1930)
A Story of Floating Weeds (Yasujirô Ozu, 1934)
Ariane (Paul Czinner, 1931)
Stolen Death (Nyrki Tapiovaara, 1938)
The Women (George Cukor, 1939)
The Spy in Black (Michael Powell, 1939)
¡Qué viva México! (Sergei Eisenstein, 1934)
Coal Face (Alberto Cavalcanti, 1935)
Union Pacific (Cecil DeMille, 1939)
Jirokichi the Rat (Daisuke Itô, 1931)
Man on the Flying Trapeze (Clyde Bruckman, 1935)
Son of Frankenstein (Rowland Lee, 1939)
Jack's Dream (Joseph Cornell, 1938)
Flunky, Work Hard (Mikio Naruse, 1931)
Dishonored (Josef von Sternberg, 1931)
Misère au Borinage (Joris Ivens, 1933)
Shall We Dance (Mark Sandrich, 1937)
The Neighbor's Wife and Mine (Heinosuke Gosho, 1931)
Porky in Wackyland (Robert Clampett, 1938)
Hôtel du Nord (Marcel Carné, 1938)
Kameradschaft (G.W. Pabst, 1931)
Other Men's Women (William Wellman, 1931)
La nuit du carrefour (Jean Renoir, 1932)
Four Seasons of Children (Hiroshi Shimizu, 1939)
Tokyo Chorus (Yasujirô Ozu, 1931)
Bluebeard's Eighth Wife (Ernst Lubitsch, 1938)
Man of Aran (Robert Flaherty, 1934)
Safe in Hell (William Wellman, 1931)
Queen Christina (Rouben Mamoulian, 1933)
Night Mail (Harry Watt & Basil Wright, 1936)
So endete eine Liebe (Karl Hartl, 1934)
Alone (Grigori Kozintsev & Leonid Trauberg, 1931)
Five Star Final (Mervyn LeRoy, 1931)
Westfront 1918 (G.W. Pabst, 1930)
The Lives of a Bengal Lancer (Henry Hathaway, 1935)
El compadre Mendoza (Juan Bustillo Oro & Fernando de Fuentes, 1934)
Chanson d'Armor (Jean Epstein, 1934)
Ein blonder Traum (Paul Martin, 1932)
Dodsworth (William Wyler, 1936)
Liliom (Frank Borzage, 1930)
The Big House (George Hill, 1930)
The Emperor Jones (Dudley Murphy, 1933)
Sonnenstrahl (Pál Fejös, 1933)
Murders in the Rue Morgue (Robert Florey, 1932)
La Marseillaise (Jean Renoir, 1938)
Doctor X (Michael Curtiz, 1932)
Mr. Deeds Goes to Town (Frank Capra, 1936)
The Lower Depths (Jean Renoir, 1936)
Une nuit sur le mont chauve (Alexander Alexeieff & Claire Parker, 1933)
The Birth of the Robot (Len Lye, 1936)
Jesse James (Henry King, 1939)
Vibración de Granada (José Val del Omar, 1935)
Passing Fancy (Yasujirô Ozu, 1933)
Three Comrades (Frank Borzage, 1938)
Our Neighbor, Miss Yae (Yasujiro Shimazu, 1934)
Three Songs About Lenin (Dziga Vertov, 1934)
Afraid to Talk (Edward Cahn, 1932)
Hands Across the Table (Mitchell Leisen, 1935)
Amphitryon (Reinhold Schünzel, 1935)
Ekstase (Gustav Machatý, 1933)
Lost Horizon (Frank Capra, 1937)
Glens Falls Sequence (Douglass Crockwell, 1937)
The Petrified Forest (Archie Mayo, 1936)
Destry Rides Again (George Marshall, 1939)
Olympia (Leni Riefenstahl, 1938)
Young and Innocent (Alfred Hitchcock, 1937)
The Mask of Fu Manchu (Charles Brabin, 1932)
Of Mice and Men (Lewis Milestone, 1939)
Entuziazm (Dziga Vertov, 1931)
The Mascot (Wladyslaw Starewicz, 1934)
The Prisoner of Shark Island (John Ford, 1936)
Shipyard (Paul Rotha, 1935)
The Miracle Woman (Frank Capra, 1931)
Borderline (Kenneth MacPherson, 1930)
Emil und die Detektive (Gerhard Lamprecht, 1931)
The Girl in the Rumor (Mikio Naruse, 1935)
Spare Time (Humphrey Jennings, 1939)
Baby Face (Alfred Green, 1933)
Tomatos Another Day (James Watson, 1930)
L'idée (Berthold Bartosch, 1932)
Little Caesar (Mervyn LeRoy, 1931)
Night Nurse (William Wellman, 1932)

[PREACHER]

The 1940s List (compiled February 2012)

01. Citizen Kane (Orson Welles, 1941)
02. Late Spring (Yasujirô Ozu, 1949)
03. The Red Shoes (Michael Powell & Emeric Pressburger, 1948)
04. The Third Man (Carol Reed, 1949)
05. Ivan the Terrible (Sergei Eisenstein, 1944/6)
06. Black Narcissus (Michael Powell & Emeric Pressburger, 1947)
07. Casablanca (Michael Curtiz, 1942)
08. Letter from an Unknown Woman (Max Ophüls, 1948)
09. Beauty and the Beast (Jean Cocteau, 1946)
10. Day of Wrath (Carl Dreyer, 1943)
11. Notorious (Alfred Hitchcock, 1946)
12. Out of the Past (Jacques Tourneur, 1947)
13. The Lady from Shanghai (Orson Welles, 1944)
14. The Big Sleep (Howard Hawks, 1946)
15. The Magnificent Ambersons (Orson Welles, 1942)
16. The Best Years of Our Lives (William Wyler, 1946)
17. Ladri di biciclette (Vittorio De Sica, 1948)
18. Rebecca (Alfred Hitchcock, 1940)
19. Shadow of a Doubt (Alfred Hitchcock, 1943)
20. Children of Paradise (Marcel Carné, 1945)
21. My Darling Clementine (John Ford, 1946)
22. Brief Encounter (David Lean, 1945)
23. The Lady Eve (Preston Sturges, 1941)
24. Double Indemnity (Billy Wilder, 1944)
25. A Matter of Life and Death (Michael Powell & Emeric Pressburger, 1946)
26. A Canterbury Tale (Michael Powell & Emeric Pressburger, 1944)
27. I Know Where I'm Going! (Michael Powell & Emeric Pressburger, 1945)
28. I Walked with a Zombie (Jacques Tourneur, 1943)
tie. Laura (Otto Preminger, 1944)
30. The Life and Death of Colonel Blimp (Michael Powell & Emeric Pressburger, 1943)
31. Kind Hearts and Coronets (Robert Hamer, 1949)
tie. His Girl Friday (Howard Hawks, 1940)
33. Meet Me in St. Louis (Vincente Minnelli, 1944)
34. The Curse of the Cat People (Gunther von Fritsch & Robert Wise, 1944)
35. Red River (Howard Hawks, 1948)
36. To Be or Not to Be (Ernst Lubitsch, 1942)
37. Germany, Year Zero (Roberto Rossellini, 1948)
38. White Heat (Raoul Walsh, 1949)
39. The Palm Beach Story (Preston Sturges, 1942)
40. Force of Evil (Abraham Polonsky, 1948)
41. The Maltese Falcon (John Huston, 1941)
42. Scarlet Street (Fritz Lang, 1945)
43. Le Corbeau (Henri-Georges Clouzot, 1943)
tie. La terra trema (Luchino Visconti, 1948)
45. The Treasure of the Sierra Madre (John Huston, 1948)
46. Meshes of the Afternoon (Maya Deren & Alexander Hammid, 1943)
47. Sullivan's Travels (Preston Sturges, 1941)
48. Hail the Conquering Hero (Preston Sturges, 1944)
49. The Seventh Victim (Mark Robson, 1943)
50. Paisan (Roberto Rossellini, 1946)
51. Begone Dull Care (Norman McLaren & Evelyn Lambart, 1949)
52. Great Expectations (David Lean, 1946)
53. The Miracle of Morgan's Creek (Preston Sturges, 1944)
tie. Pinocchio (Ben Sharpsteen & Hamilton Luske, 1940)
55. Cat People (Jacques Tourneur, 1942)
56. Stray Dog (Akira Kurosawa, 1949)
57. Went the Day Well? (Alberto Cavalcanti, 1942)
tie. The Grapes of Wrath (John Ford, 1940)
59. Rome, Open City (Roberto Rossellini, 1945)
60. The Shop Around the Corner (Ernst Lubitsch, 1940)
61. Le Silence de la mer (Jean-Pierre Melville, 1948)
62. Fantasia (James Algar et al, 1940)
63. The Fallen Idol (Carol Reed, 1948)
64. To Have and Have Not (Howard Hawks, 1944)
65. The Pirate (Vincente Minnelli, 1948)
66. It's a Wonderful Life (Frank Capra, 1946)
tie. The Devil and Daniel Webster (William Dieterle, 1941)
68. The Ghost and Mrs. Muir (Joseph Mankiewicz, 1947)
69. Raw Deal (Anthony Mann, 1948)
70. How Green Was My Valley (John Ford, 1941)
71. Fort Apache (John Ford, 1948)
tie. Ball of Fire (Howard Hawks, 1941)
73. Fires Were Started (Humphrey Jennings, 1943)
74. The Shanghai Gesture (Josef von Sternberg, 1941)
75. Odd Man Out (Carol Reed, 1947)
76. Blood of the Beasts (Georges Franju, 1949)
77. The Ox-Bow Incident (William Wellman, 1943)
78. Dumbo (Ben Sharpsteen, 1941)
79. Good News (Charles Walters, 1947)
80. Heaven Can Wait (Ernst Lubitsch, 1943)
81. Unter den Brücken (Helmut Käutner, 1946)
82. Nightmare Alley (Edmund Goulding, 1947)
83. I Was a Male War Bride (Howard Hawks, 1949)
84. The Murderers Are Among Us (Wolfgang Staudte, 1946)
85. Brute Force (Jules Dassin, 1947)
86. Ossessione (Luchino Visconti, 1943)
87. Monsieur Verdoux (Charles Chaplin, 1947)
88. Hangover Square (John Brahm, 1945)
89. Les Visiteurs du soir (Marcel Carné, 1942)
90. The Philadelphia Story (George Cukor, 1940)
91. Air Force (Howard Hawks, 1943)
92. The Heiress (William Wyler, 1949)
93. She Wore a Yellow Ribbon (John Ford, 1949)
tie. The Set-Up (Robert Wise, 1949)
95. There Was a Father (Yasujirô Ozu, 1942)
96. Listen to Britain (Humphrey Jennings & Stewart McAllister, 1942)
tie. The Small Back Room (Michael Powell & Emeric Pressburger, 1949)
tie. The Woman in the Window (Fritz Lang, 1944)
99. Ritual in Transfigured Time (Maya Deren, 1946)
tie. The Chase (Arthur Ripley, 1946)
tie. A Hen in the Wind (Yasujirô Ozu, 1948)

Also-Rans

Dead of Night (Alberto Cavalcanti et al, 1945)
Mildred Pierce (Michael Curtiz, 1945)
Leave Her to Heaven (John Stahl, 1945)
Record of a Tenement Gentleman (Yasujirô Ozu, 1948)
The Killers (Robert Siodmak, 1946)
Opfergang (Veit Harlan, 1944)
The Reckless Moment (Max Ophüls, 1949)
Lumière d'été (Jean Grémillon, 1943)
All the King's Men (Robert Rossen, 1949)
Portrait of Jennie (William Dieterle, 1948)
They Made Me a Fugitive (Alberto Cavalcanti, 1947)
Bambi (David Hand, 1942)
Cluny Brown (Ernst Lubitsch, 1946)
The Long Voyage Home (John Ford, 1940)
Notes of an Itinerant Performer (Hiroshi Shimizu, 1941)
Münchhausen (Josef von Báky, 1943)
The Strawberry Blonde (Raoul Walsh, 1941)
Ohara Shôsuke-san (Hiroshi Shimizu, 1949)
The Thief of Bagdad (Ludwig Berger et al, 1940)
Yellow Sky (William Wellman, 1948)
Christmas in July (Preston Sturges, 1940)
Lifeboat (Alfred Hitchcock, 1944)
A Diary for Timothy (Humphrey Jennings, 1945)
Motion Painting No. 1 (Oskar Fischinger, 1947)
High Sierra (Raoul Walsh, 1941)
Whirlpool (Otto Preminger, 1949)
Canyon Passage (Jacques Tourneur, 1946)
T-Men (Anthony Mann, 1947)
Pursued (Raoul Walsh, 1947)
The Great Dictator (Charles Chaplin, 1940)
Our Town (Sam Wood, 1940)
Gaslight (George Cukor, 1944)
Quai des Orfèvres (Henri-Georges Clouzot, 1947)
Key Largo (John Huston, 1948)
They Live by Night (Nicholas Ray, 1948)
Une si jolie petite plage (Yves Allégret, 1949)
Now, Voyager (Irving Rapper, 1942)
Madame Bovary (Vincente Minnelli, 1949)
La perla (Emilio Fernández, 1947)
Der verzauberte Tag (Peter Pewas, 1944)
Bad Luck Blackie (Tex Avery, 1949)
Sans lendemain (Max Ophüls, 1940)
Red Hot Riding Hood (Tex Avery, 1943)
Body and Soul (Robert Rossen, 1947)
Detour (Edgar Ulmer, 1945)
The Song Lantern (Mikio Naruse, 1943)
The More the Merrier (George Stevens, 1943)
I Married a Witch (René Clair, 1942)
Gilda (Charles Vidor, 1946)
Inspirace (Karel Zeman, 1949)
Spring in a Small Town (Fei Mu, 1948)
Moonrise (Frank Borzage, 1948)
Unfaithfully Yours (Preston Sturges, 1948)
Hangmen Also Die! (Fritz Lang, 1943)
Spring Awakens (Mikio Naruse, 1947)
It Always Rains on Sunday (Robert Hamer, 1947)
Utamaro and His Five Women (Kenji Mizoguchi, 1946)
Act of Violence (Fred Zinnemann, 1948)
Ornamental Hairpin (Hiroshi Shimizu, 1941)
The 47 Ronin (Kenji Mizoguchi, 1941)
Le ciel est à vous (Jean Grémillon, 1944)
Children of the Beehive (Hiroshi Shimizu, 1948)
Pattes blanches (Jean Grémillon, 1949)
On the Town (Stanley Donen & Gene Kelly, 1949)
The Mortal Storm (Frank Borzage, 1940)
The Pride of the Yankees (Sam Wood, 1942)
The Devil and Miss Jones (Sam Wood, 1941)
Rope (Alfred Hitchcock, 1948)
The Dover Boys at Pimento University or the Rivals of Roquefort Hall (Chuck Jones, 1942)
Never Give a Sucker an Even Break (Edward Cline, 1941)
Intruder in the Dust (Clarence Brown, 1949)
Kings Row (Sam Wood, 1942)
The Way to the Stars (Anthony Asquith, 1945)
Colorado Territory (Raoul Walsh, 1949)
He Walked by Night (Alfred Werker & Anthony Mann, 1948)
Kiss of Death (Henry Hathaway, 1947)
Fireworks (Kenneth Anger, 1947)
Krakatit (Otakar Vávra , 1949)
Twelve O'Clock High (Henry King, 1949)
Crows and Sparrows (Zheng Junli, 1948)
María Candelaria (Emilio Fernández, 1943)
No Regrets for Our Youth (Akira Kurosawa, 1946)
Roxie Hart (William Wellman, 1942)
Große Freiheit Nr. 7 (Helmut Käutner, 1944)
Drunken Angel (Akira Kurosawa, 1948)
They Were Expendable (John Ford, 1945)
The Lost Weekend (Billy Wilder, 1945)
This Land Is Mine (Jean Renoir, 1943)
King-Size Canary (Tex Avery, 1947)
Riso amaro (Giuseppe de Santis, 1949)
A Royal Scandal (Otto Preminger, 1945)
Under Capricorn (Alfred Hitchcock, 1949)
Remorques (Jean Grémillon, 1940)
Mrs. Miniver (William Wyler, 1942)
Macbeth (Orson Welles, 1948)
It Happened at the Inn (Jacques Becker, 1943)
The Sea Hawk (Michael Curtiz, 1940)
Blood and Sand (Rouben Mamoulian, 1941)
The Stranger (Orson Welles, 1946)
Thieves' Highway (Jules Dassin, 1949)
Criss Cross (Robert Siodmak, 1949)
Foreign Correspondent (Alfred Hitchcock, 1940)
The Window (Ted Tetzlaff, 1949)
Saboteur (Alfred Hitchcock, 1942)
Spellbound (Alfred Hitchcock, 1945)
Oliver Twist (David Lean, 1948)
Reign of Terror (Anthony Mann, 1949)
Dreams That Money Can Buy (Hans Richter, 1947)
Jammin' the Blues (Gjon Mili, 1944)
The Bank Dick (Edward Cline, 1940)
Ride the Pink Horse (Robert Montgomery, 1947)
The Queen of Spades (Thorold Dickinson, 1949)
Daisy Kenyon (Otto Preminger, 1947)
Remember the Night (Mitchell Leisen, 1940)
A Letter to Three Wives (Joseph Mankiewicz, 1949)
Bluebeard (Edgar Ulmer, 1944)
The Way Ahead (Carol Reed, 1944)
Ziegfeld Follies (Vincente Minnelli et al, 1945)
The Little Foxes (William Wyler, 1941)
Yolanda and the Thief (Vincente Minnelli, 1945)
Gentleman Jim (Raoul Walsh, 1942)
Puce Moment (Kenneth Anger, 1949)
Suspicion (Alfred Hitchcock, 1941)
Native Land (Leo Hurwitz & Paul Strand, 1942)
The Razor's Edge (Edmund Goulding, 1946)
We Were Strangers (John Huston, 1949)
Sergeant York (Howard Hawks, 1941)
Gaslight (Thorold Dickinson, 1940)
Arsenic and Old Lace (Frank Capra, 1944)
The Naked City (Jules Dassin, 1948)
Saraband for Dead Lovers (Basil Dearden, 1948)
The Spiral Staircase (Robert Siodmak, 1945)
The Snake Pit (Anatole Litvak, 1948)
L'Espoir (André Malraux & Boris Peskine, 1945)
The Postman Always Rings Twice (Tay Garnett, 1946)
The Sin of Harold Diddlebock (Preston Sturges, 1947)
Les Dames du Bois de Boulogne (Robert Bresson, 1945)
Hellzapoppin' (H.C. Potter, 1941)
The Upturned Glass (Lawrence Huntington, 1947)
Phantom Lady (Robert Siodmak, 1944)
At Land (Maya Deren, 1944)
Five Graves to Cairo (Billy Wilder, 1943)
Christ in Concrete (Edward Dmytryk, 1949)
The Uninvited (Lewis Allen, 1944)
Manon (Henri-Georges Clouzot, 1949)
Nasty Quacks (Frank Tashlin, 1945)
Cobra Woman (Robert Siodmak, 1944)
Crossfire (Edward Dmytryk, 1947)
Shoeshine (Vittorio De Sica, 1946)

[PREACHER]

The 1950s List (compiled September 2012)

01. Vertigo (Alfred Hitchcock, 1958)
02. The Night of the Hunter (Charles Laughton, 1955)
03. Seven Samurai (Akira Kurosawa, 1954)
04. Rear Window (Alfred Hitchcock, 1954)
05. Touch of Evil (Orson Welles, 1958)
06. Singin' in the Rain (Stanley Donen & Gene Kelly, 1952)
07. Tokyo Story (Yasujirō Ozu, 1953)
08. A Man Escaped (Robert Bresson, 1956)
09. Kiss Me Deadly (Robert Aldrich, 1955)
10. North by Northwest (Alfred Hitchcock, 1959)
11. Les Quatre Cents Coups (François Truffaut, 1959)
12. Sweet Smell of Success (Alexander Mackendrick, 1957)
13. Ordet (Carl Dreyer, 1955)
14. Wild Strawberries (Ingmar Bergman, 1957)
15. The Searchers (John Ford, 1956)
16. The Wages of Fear (Henri-Georges Clouzot, 1953)
17. In a Lonely Place (Nicholas Ray, 1950)
18. The Seventh Seal (Ingmar Bergman, 1957)
19. The Band Wagon (Vincente Minnelli, 1953)
20. Diary of a Country Priest (Robert Bresson, 1951)
21. Pather Panchali (Satyajit Ray, 1955)
22. Ugetsu (Kenji Mizoguchi, 1953)
23. Rebel Without a Cause (Nicholas Ray, 1955)
24. Paths of Glory (Stanley Kubrick, 1957)
25. Man of the West (Anthony Mann, 1958)
26. Sunset Blvd. (Billy Wilder, 1950)
27. Johnny Guitar (Nicholas Ray, 1954)
28. Rio Bravo (Howard Hawks, 1959)
tie. Bigger Than Life (Nicholas Ray, 1956)
30. Sansho the Bailiff (Kenji Mizoguchi, 1954)
31. Anatomy of a Murder (Otto Preminger, 1959)
32. Francesco, giullare di Dio (Roberto Rossellini, 1950)
33. Orphée (Jean Cocteau, 1950)
34. Madame de… (Max Ophüls, 1953)
35. The Music Room (Satyajit Ray, 1958)
36. Le notti di Cabiria (Federico Fellini, 1957)
tie. The Cranes Are Flying (Mikhail Kalatozov, 1957)
38. Strangers on a Train (Alfred Hitchcock, 1951)
39. Night and Fog (Alain Resnais, 1955)
tie. Pickpocket (Robert Bresson, 1959)
41. All That Heaven Allows (Douglas Sirk, 1955)
42. Ikiru (Akira Kurosawa, 1952)
43. Los olvidados (Luis Buñuel, 1950)
44. All About Eve (Joseph Mankiewicz, 1950)
45. The River (Jean Renoir, 1951)
46. La Ronde (Max Ophüls, 1950)
47. Early Summer (Yasujirō Ozu, 1951)
48. Hiroshima mon amour (Alain Resnais, 1959)
49. Written on the Wind (Douglas Sirk, 1956)
50. Les Diaboliques (Henri-Georges Clouzot, 1955)
51. Throne of Blood (Akira Kurosawa, 1957)
52. There's Always Tomorrow (Douglas Sirk, 1956)
53. Ace in the Hole (Billy Wilder, 1951)
tie. A Face in the Crowd (Elia Kazan, 1957)
55. Some Came Running (Vincente Minnelli, 1958)
56. Flowing (Mikio Naruse, 1956)
57. The Killing (Stanley Kubrick, 1956)
tie. Rashōmon (Akira Kurosawa, 1950)
59. Invasion of the Body Snatchers (Don Siegel, 1956)
60. The Human Condition (Masaki Kobayashi, 1959-61)
tie. Tokyo Twilight (Yasujirō Ozu, 1957)
62. Forbidden Planet (Fred Wilcox, 1956)
tie. Sound of the Mountain (Mikio Naruse, 1954)
64. Mon oncle (Jacques Tati, 1958)
65. Umberto D. (Vittorio De Sica, 1952)
66. Le Plaisir (Max Ophüls, 1952)
67. Some Like It Hot (Billy Wilder, 1959)
tie. The Bad and the Beautiful (Vincente Minnelli, 1952)
69. Rififi (Jules Dassin, 1955)
70. The Girl Can't Help It (Frank Tashlin, 1956)
71. Smiles of a Summer Night (Ingmar Bergman, 1955)
72. The Crucified Lovers (Kenji Mizoguchi, 1954)
tie. Kanal (Andrzej Wajda, 1957)
74. Lola Montès (Max Ophüls, 1955)
tie. Night and the City (Jules Dassin, 1950)
76. Fires on the Plain (Kon Ichikawa, 1959)
77. The Big Heat (Fritz Lang, 1953)
78. La strada (Federico Fellini, 1954)
79. 12 Angry Men (Sidney Lumet, 1957)
80. Aparajito (Satyajit Ray, 1957)
81. The Tales of Hoffmann (Michael Powell & Emeric Pressburger, 1951)
82. Viaggio in Italia (Roberto Rossellini, 1954)
83. Pickup on South Street (Samuel Fuller, 1953)
84. A Movie (Bruce Conner, 1958)
85. Will Success Spoil Rock Hunter? (Frank Tashlin, 1957)
86. The Naked Spur (Anthony Mann, 1953)
tie. The Bridge on the River Kwai (David Lean, 1957)
88. Street of Shame (Kenji Mizoguchi, 1956)
tie. The World of Apu (Satyajit Ray, 1959)
90. The Sun Shines Bright (John Ford, 1953)
91. M. Hulot's Holiday (Jacques Tati, 1953)
92. The Magician (Ingmar Bergman, 1958)
tie. My Sister Eileen (Richard Quine, 1955)
94. Imitation of Life (Douglas Sirk, 1959)
tie. Bonjour Tristesse (Otto Preminger, 1958)
tie. Winchester '73 (Anthony Mann, 1950)
97. Kineformy (Andrzej Pawłowski, 1957)
98. Ride Lonesome (Budd Boetticher, 1959)
99. A Streetcar Named Desire (Elia Kazan, 1951)
tie. Dial M for Murder (Alfred Hitchcock, 1954)

Also-Rans

Eaux d'artifice (Kenneth Anger, 1953)
Ensayo de un crimen (Luis Buñuel, 1955)
Early Spring (Yasujirō Ozu, 1956)
The Quiet Man (John Ford, 1952)
Rabbit's Moon (Kenneth Anger, 1950)
The Browning Version (Anthony Asquith, 1951)
Miracolo a Milano (Vittorio De Sica, 1951)
A Bloody Spear on Mount Fuji (Tomu Uchida, 1955)
Lili (Charles Walters, 1953)
High Noon (Fred Zinnemann, 1952)
Night of the Demon (Jacques Tourneur, 1957)
Monkey Business (Howard Hawks, 1952)
Ashes and Diamonds (Andrzej Wajda, 1958)
The Burmese Harp (Kon Ichikawa, 1956)
A Midsummer Night's Dream (Jiří Trnka, 1959)
On Dangerous Ground (Nicholas Ray, 1952)
Ballad of a Soldier (Grigori Chukhrai, 1959)
Floating Weeds (Yasujirō Ozu, 1959)
Caged (John Cromwell, 1950)
Sawdust and Tinsel (Ingmar Bergman, 1953)
The Lusty Men (Nicholas Ray, 1952)
Les Cousins (Claude Chabrol, 1959)
Free Radicals (Len Lye, 1958)
Forty Guns (Samuel Fuller, 1957)
Gun Crazy (Joseph Lewis, 1950)
The Wrong Man (Alfred Hitchcock, 1957)
Nazarín (Luis Buñuel, 1959)
Shadows (John Cassavetes, 1959)
Night Train (Jerzy Kawalerowicz, 1959)
Él (Luis Buñuel, 1953)
Fixed Bayonets! (Samuel Fuller, 1951)
It's Always Fair Weather (Stanley Donen & Gene Kelly, 1955)
The Ladykillers (Alexander Mackendrick, 1955)
Death of a Cyclist (Juan Bardem, 1955)
Un chant d'amour (Jean Genet, 1950)
Tomorrow Is Another Day (Felix Feist, 1951)
Give a Girl a Break (Stanley Donen, 1953)
To Catch a Thief (Alfred Hitchcock, 1955)
The Lineup (Don Siegel, 1958)
Pandora and the Flying Dutchman (Albert Lewin, 1951)
Wagon Master (John Ford, 1950)
Cairo Station (Youssef Chahine, 1958)
Bend of the River (Anthony Mann, 1952)
Blinkity Blank (Norman McLaren, 1955)
N.Y., N.Y. (Francis Thompson, 1957)
The Tall T (Budd Boetticher, 1957)
Good Morning (Yasujirō Ozu, 1959)
The Thing from Another World (Christian Nyby, 1951)
An American in Paris (Vincente Minnelli, 1951)
Dracula (Terence Fisher, 1958)
The Idiot (Akira Kurosawa, 1951)
Witness for the Prosecution (Billy Wilder, 1957)
Floating Clouds (Mikio Naruse, 1955)
Duck Amuck (Chuck Jones, 1953)
The Life of Oharu (Kenji Mizoguchi, 1952)
A Kiss Before Dying (Gerd Oswald, 1956)
Elevator to the Gallows (Louis Malle, 1958)
Summer Interlude (Ingmar Bergman, 1951)
French Cancan (Jean Renoir, 1955)
Rhythm (Len Lye, 1957)
Baby Doll (Elia Kazan, 1956)
Touchez pas au grisbi (Jacques Becker, 1954)
Rabbit of Seville (Chuck Jones, 1950)
The Ten Commandments (Cecil B. DeMille, 1956)
Les Maîtres fous (Jean Rouch, 1955)
Magnificent Obsession (Douglas Sirk, 1954)
Othello (Orson Welles, 1952)
Park Row (Samuel Fuller, 1952)
Yantra (James Whitney, 1957)
Roman Holiday (William Wyler, 1953)
Bob le flambeur (Jean-Pierre Melville, 1956)
Them! (Gordon Douglas, 1954)
The Hidden Fortress (Akira Kurosawa, 1958)
Genji monogatari (Kōzaburō Yoshimura, 1951)
The African Queen (John Huston, 1951)
Salt of the Earth (Herbert Biberman, 1954)
Scaramouche (George Sidney, 1952)
Odds Against Tomorrow (Robert Wise, 1959)
Stromboli (Roberto Rossellini, 1950)
I vitelloni (Federico Fellini, 1953)
Clash by Night (Fritz Lang, 1952)
Europa '51 (Roberto Rossellini, 1952)
Equinox Flower (Yasujirō Ozu, 1958)
The Day the Earth Stood Still (Robert Wise, 1951)
Casque d'or (Jacques Becker, 1952)
A Time to Love and a Time to Die (Douglas Sirk, 1958)
Room at the Top (Jack Clayton, 1959)
Senso (Luchino Visconti, 1954)
Stalag 17 (Billy Wilder, 1953)
The Desperate Hours (William Wyler, 1955)
The Hitch-Hiker (Ida Lupino, 1953)
Mandy (Alexander Mackendrick, 1952)
Murder by Contract (Irving Lerner, 1958)
Saint Joan (Otto Preminger, 1957)
From Here to Eternity (Fred Zinnemann, 1951)
The Lower Depths (Akira Kurosawa, 1957)
Giant (George Stevens, 1956)
The Furies (Anthony Mann, 1950)
The Man from Laramie (Anthony Mann, 1955)
Forbidden Games (René Clément, 1952)
The Importance of Being Earnest (Anthony Asquith, 1952)
Roma ore 11 (Giuseppe de Santis, 1952)
The Tarnished Angels (Douglas Sirk, 1958)
The Steel Helmet (Samuel Fuller, 1951)
The Red Badge of Courage (John Huston, 1951)
The Phenix City Story (Phil Karlson, 1955)
The Moon Is Blue (Otto Preminger, 1953)
The Tall Target (Anthony Mann, 1951)
5 Fingers (Joseph Mankiewicz, 1952)
Sabrina (Billy Wilder, 1954)
The Asphalt Jungle (John Huston, 1950)
Terror in a Texas Town (Joseph Lewis, 1958)
Gentlemen Prefer Blondes (Howard Hawks, 1953)
Sleeping Beauty (Clyde Geronimi, 1959)
Where Chimneys Are Seen (Heinosuke Gosho, 1953)
Seven Men from Now (Budd Boetticher, 1956)
Orders to Kill (Anthony Asquith, 1958)
Rock-a-Bye Baby (Frank Tashlin, 1958)
The Man in the White Suit (Alexander Mackendrick, 1951)
Twenty-Four Eyes (Keisuke Kinoshita, 1954)
Summertime (David Lean, 1955)
Neighbours (Norman McLaren, 1952)
Yield to the Night (J. Lee Thompson, 1956)
Giants and Toys (Yasuzō Masumura, 1958)
Domenica d'agosto (Luciano Emmer, 1950)
Le Beau Serge (Claude Chabrol, 1958)
A Place in the Sun (George Stevens, 1951)
While the City Sleeps (Fritz Lang, 1956)
Sudden Fear (David Miller, 1952)
Alice in Wonderland (Clyde Geronimi et al, 1951)
Daybreak Express (D.A. Pennebaker, 1953)
Late Chrysanthemums (Mikio Naruse, 1954)
Il grido (Michelangelo Antonioni, 1957)
The Horse's Mouth (Ronald Neame, 1958)
The Tell-Tale Heart (Ted Parmelee, 1953)
Stage Fright (Alfred Hitchcock, 1950)
Estate violenta (Valerio Zurlini, 1959)
Do Bigha Zamin (Bimal Roy, 1953)
Outcast of the Islands (Carol Reed, 1951)
The Geisha Boy (Frank Tashlin, 1958)
Die letzte Brücke (Helmut Käutner, 1954)
Fiend Without a Face (Arthur Crabtree, 1958)
Il bidone (Federico Fellini, 1955)
The Incredible Shrinking Man (Jack Arnold, 1957)
Where the Sidewalk Ends (Otto Preminger, 1950)
One Way Street (Hugo Fregonese, 1950)
House of Wax (André De Toth, 1953)
The Wonder Ring (Stan Brakhage & Joseph Cornell, 1955)
Summer with Monika (Ingmar Bergman, 1953)

[gatatitania]

Esta es la primera parte del juego ¿no? La segunda es empezar a traerlas

[boettcher]

Lo que se dice "oro puro"...

Muchas gracias, PREACHER.

[PREACHER]

The 1960s List (compiled May 2013)

01. 2001: A Space Odyssey (Stanley Kubrick, 1968)
02. Persona (Ingmar Bergman, 1966)
03. Psycho (Alfred Hitchcock, 1960)
04. 8½ (Federico Fellini, 1963)
05. Andrei Rublyov (Andrei Tarkovsky, 1966)
06. Once Upon a Time in the West (Sergio Leone, 1968)
07. The Battle of Algiers (Gillo Pontecorvo, 1965)
08. L'avventura (Michelangelo Antonioni, 1960)
09. Play Time (Jacques Tati, 1967)
10. The Apartment (Billy Wilder, 1960)
11. Last Year at Marienbad (Alain Resnais, 1961)
12. La dolce vita (Federico Fellini, 1960)
13. L'eclisse (Michelangelo Antonioni, 1962)
14. The Exterminating Angel (Luis Buñuel, 1962)
15. Contempt (Jean-Luc Godard, 1963)
16. Woman in the Dunes (Hiroshi Teshigahara, 1964)
17. Breathless (Jean-Luc Godard, 1960)
18. Pierrot le fou (Jean-Luc Godard, 1965)
(tie) Le Samouraï (Jean-Pierre Melville, 1967)
20. High and Low (Akira Kurosawa, 1963)
21. Dr. Strangelove (Stanley Kubrick, 1964)
22. Red Desert (Michelangelo Antonioni, 1964)
23. The Man Who Shot Liberty Valance (John Ford, 1962)
24. The Birds (Alfred Hitchcock, 1963)
25. Au hasard Balthazar (Robert Bresson, 1966)
26. The Wild Bunch (Sam Peckinpah, 1969)
27. Winter Light (Ingmar Bergman, 1962)
28. Marketa Lazarová (František Vláčil, 1967)
29. Rosemary's Baby (Roman Polański, 1968)
(tie) Harakiri (Masaki Kobayashi, 1962)
31. Seconds (John Frankenheimer, 1966)
32. The Innocents (Jack Clayton, 1961)
33. My Night at Maud's (Eric Rohmer, 1969)
34. Army of Shadows (Jean-Pierre Melville, 1969)
35. La Jetée (Chris Marker, 1962)
36. The Good, the Bad and the Ugly (Sergio Leone, 1966)
37. Point Blank (John Boorman, 1967)
(tie) Week End (Jean-Luc Godard, 1967)
39. The Graduate (Mike Nichols, 1967)
40. Le Trou (Jacques Becker, 1960)
41. Daisies (Věra Chytilová, 1966)
42. The Young Girls of Rochefort (Jacques Demy, 1967)
43. The Leopard (Luchino Visconti, 1963)
44. Belle de jour (Luis Buñuel, 1967)
45. An Autumn Afternoon (Yasujirō Ozu, 1962)
46. The Silence (Ingmar Bergman, 1963)
47. Peeping Tom (Michael Powell, 1960)
48. Night of the Living Dead (George Romero, 1968)
49. The Manchurian Candidate (John Frankenheimer, 1962)
(tie) Z (Costa-Gavras, 1969)
51. The Cremator (Juraj Herz, 1969)
52. Shadows of Forgotten Ancestors (Sergei Parajanov, 1964)
53. Yearning (Mikio Naruse, 1964)
54. The Red and the White (Miklós Jancsó, 1967)
55. I Am Cuba (Mikhail Kalatozov, 1964)
56. Charulata (Satyajit Ray, 1964)
(tie) Bonnie and Clyde (Arthur Penn, 1967)
58. Repulsion (Roman Polański, 1965)
59. Scorpio Rising (Kenneth Anger, 1964)
60. Lawrence of Arabia (David Lean, 1962)
(tie) Branded to Kill (Seijun Suzuki, 1967)
(tie) Ivan's Childhood (Andrei Tarkovsky, 1962)
63. The Color of Pomegranates (Sergei Parajanov, 1969)
64. Through a Glass Darkly (Ingmar Bergman, 1961)
65. Viridiana (Luis Buñuel, 1961)
66. Medea (Pier Paolo Pasolini, 1969)
67. Death by Hanging (Nagisa Ōshima, 1968)
(tie) Closely Watched Trains (Jiří Menzel, 1966)
69. Cléo from 5 to 7 (Agnès Varda, 1961)
70. Eros + Massacre (Yoshishige Yoshida, 1969)
(tie) Rocco and His Brothers (Luchino Visconti, 1960)
72. Vivre sa vie (Jean-Luc Godard, 1963)
73. Tokyo Olympiad (Kon Ichikawa, 1965)
(tie) The Round-Up (Miklós Jancsó, 1965)
75. Kwaidan (Masaki Kobayashi, 1964)
(tie) Blow-Up (Michelangelo Antonioni, 1966)
77. The Hustler (Robert Rossen, 1961)
78. The Naked Kiss (Samuel Fuller, 1964)
79. Petulia (Richard Lester, 1968)
80. Profound Desires of the Gods (Shōhei Imamura, 1968)
81. Inferno of First Love (Susumu Hani, 1968)
82. Divorce Italian Style (Pietro Germi, 1961)
(tie) Diary of a Shinjuku Thief (Nagisa Ōshima, 1969)
84. The Trial (Orson Welles, 1963)
(tie) Jules et Jim (François Truffaut, 1961)
86. The Umbrellas of Cherbourg (Jacques Demy, 1964)
87. Gertrud (Carl Dreyer, 1964)
88. Faces (John Cassavetes, 1968)
89. Band of Outsiders (Jean-Luc Godard, 1964)
90. Marnie (Alfred Hitchcock, 1964)
91. Eyes Without a Face (Georges Franju, 1960)
92. A Report on the Party and Guests (Jan Němec, 1966)
93. Pretty Poison (Noel Black, 1968)
94. Who's Afraid of Virginia Woolf? (Mike Nichols, 1966)
(tie) Shock Corridor (Samuel Fuller, 1963)
96. Les Bonnes Femmes (Claude Chabrol, 1960)
(tie) La Collectionneuse (Eric Rohmer, 1966)
98. The Fire Within (Louis Malle, 1963)
99. Porcile (Pier Paolo Pasolini, 1969)
(tie) Shame (Ingmar Bergman, 1968)

Also-Rans

Lola (Jacques Demy, 1961)
I fidanzati (Ermanno Olmi, 1963)
The Insect Woman (Shōhei Imamura, 1963)
The Virgin Spring (Ingmar Bergman, 1960)
Targets (Peter Bogdanovich, 1968)
Black God, White Devil (Glauber Rocha, 1964)
The Face of Another (Hiroshi Teshigahara, 1966)
Zazie dans le métro (Louis Malle, 1960)
Advise & Consent (Otto Preminger, 1962)
Fuego en Castilla (José Val del Omar, 1961)
Il Vangelo secondo Matteo (Pier Paolo Pasolini, 1964)
Knife in the Water (Roman Polański, 1962)
Pale Flower (Masahiro Shinoda, 1964)
Violence at Noon (Nagisa Ōshima, 1966)
Black Girl (Ousmane Sembene, 1966)
Chimes at Midnight (Orson Welles, 1966)
Pas de deux (Norman McLaren, 1968)
Yesterday Girl (Alexander Kluge, 1966)
Barrier (Jerzy Skolimowski, 1966)
Come Drink with Me (King Hu, 1966)
Accattone (Pier Paolo Pasolini, 1961)
Le Bonheur (Agnès Varda, 1965)
When a Woman Ascends the Stairs (Mikio Naruse, 1960)
The Great Silence (Sergio Corbucci, 1968)
Double Suicide (Masahiro Shinoda, 1969)
7 Women (John Ford, 1966)
Trace of Stones (Frank Beyer, 1966)
The Unfaithful Wife (Claude Chabrol, 1969)
Simon of the Desert (Luis Buñuel, 1965)
If.... (Lindsay Anderson, 1968)
Juliet of the Spirits (Federico Fellini, 1965)
Kes (Ken Loach, 1969)
El verdugo (Luis García Berlanga, 1963)
The Goddess (Satyajit Ray, 1960)
The Loneliness of the Long Distance Runner (Tony Richardson, 1962)
Pigs and Battleships (Shōhei Imamura, 1961)
The Sword of Doom (Kihachi Okamoto, 1966)
Underworld U.S.A. (Samuel Fuller, 1961)
Diamonds of the Night (Jan Němec, 1964)
Il posto (Ermanno Olmi, 1961)
Paris nous appartient (Jacques Rivette, 1960)
Red Beard (Akira Kurosawa, 1965)
The Servant (Joseph Losey, 1963)
Three Resurrected Drunkards (Nagisa Ōshima, 1968)
Judex (Georges Franju, 1963)
Lilith (Robert Rossen, 1964)
The Cow (Dariush Mehrjui, 1969)
The Big City (Satyajit Ray, 1963)
Teorema (Pier Paolo Pasolini, 1968)
Léon Morin, Priest (Jean-Pierre Melville, 1961)
The Pornographers (Shōhei Imamura, 1966)
One, Two, Three (Billy Wilder, 1961)
L'Enfance nue (Maurice Pialat, 1968)
L'Amour fou (Jacques Rivette, 1968)
Signs of Life (Werner Herzog, 1968)
Boy (Nagisa Ōshima, 1969)
Memories of Underdevelopment (Tomás Gutiérrez Alea, 1968)
Hour of the Wolf (Ingmar Bergman, 1967)
Death of a Bureaucrat (Tomás Gutiérrez Alea, 1966)
The House Is Black (Forough Farrokhzād, 1963)
Lolita (Stanley Kubrick, 1962)
Shoot the Piano Player (François Truffaut, 1960)
Charade (Stanley Donen, 1963)
Burn! (Gillo Pontecorvo, 1969)
Carnival of Souls (Herk Harvey, 1962)
A Hard Day's Night (Richard Lester, 1964)
Accident (Joseph Losey, 1967)
Funeral Parade of Roses (Toshio Matsumoto, 1969)
Stairs (Stefan Schabenbeck, 1969)
The Firemen's Ball (Miloš Forman, 1967)
Late Autumn (Yasujirō Ozu, 1960)
El extraño viaje (Fernando Fernán Gómez, 1964)
This Man Must Die (Claude Chabrol, 1969)
Onibaba (Kaneto Shindō, 1964)
To Kill a Mockingbird (Robert Mulligan, 1962)
Sundays and Cybèle (Serge Bourguignon, 1962)
Yojimbo (Akira Kurosawa, 1961)
The Testament of Orpheus (Jean Cocteau, 1960)
The Taking of Power by Louis XIV (Roberto Rossellini, 1966)
Il sorpasso (Dino Risi, 1963)
Medium Cool (Haskell Wexler, 1969)
Hamlet (Grigori Kozintsev, 1964)
The Eve of Ivan Kupala (Yuri Ilyenko, 1968)
Two Stage Sisters (Xie Jin, 1964)
Katzelmacher (Rainer Werner Fassbinder, 1969)
Batman (Leslie Martinson, 1966)
Titicut Follies (Frederick Wiseman, 1967)
Ride the High Country (Sam Peckinpah, 1962)
In Cold Blood (Richard Brooks, 1967)
The Bad Sleep Well (Akira Kurosawa, 1960)
Dog Star Man (Stan Brakhage, 1962-64) 63/3/17/New
A Fugitive from the Past (Tomu Uchida, 1965)
The Hour of the Furnaces (Fernando Solanas & Octavio Getino, 1968)
Dillinger Is Dead (Marco Ferreri, 1969)
Lord of the Flies (Peter Brook, 1963)
Salesman (Albert & David Maysles et al., 1968)
Yoyo (Pierre Étaix, 1965)
The Misfits (John Huston, 1961)
David Holzman's Diary (Jim McBride, 1967)
Nothing But a Man (Michael Roemer, 1964)
A Woman Is a Woman (Jean-Luc Godard, 1961)
Billy Liar (John Schlesinger, 1963)
Sanjuro (Akira Kurosawa, 1962)
An Untitled Film (David Gladwell, 1964)
Now (Santiago Álvarez, 1965)
Barren Lives (Nelson Pereira Dos Santos, 1963)
Red Angel (Yasuzō Masumura, 1966)
La Religieuse (Jacques Rivette, 1966)
Saturday Night and Sunday Morning (Karel Reisz, 1960)
The Affair (Yoshishige Yoshida, 1967)
La notte (Michelangelo Antonioni, 1961)
Il bell'Antonio (Mauro Bolognini, 1960)
7362 (Pat O'Neill, 1967)
The Saragossa Manuscript (Wojciech Has, 1964)
Wavelength (Michael Snow, 1967)
Hatari! (Howard Hawks, 1962)
La ragazza con la valigia (Valerio Zurlini, 1961)
17th Parallel: Vietnam at War (Joris & Marceline Ivens, 1968)
Take the Money and Run (Woody Allen, 1969)
The End of Summer (Yasujirō Ozu, 1961)
Young Törless (Volker Schlöndorff, 1966)
Die Parallelstrasse (Ferdinand Khittl, 1962)
Joseph Kilian (Pavel Juráček & Jan Schmidt, 1965)
Innocence Unprotected (Dušan Makavejev, 1968)
I Knew Her Well (Antonio Pietrangeli, 1965)
The Hawks and the Sparrows (Pier Paolo Pasolini, 1966)
This Sporting Life (Lindsay Anderson, 1963)
Japanese Summer: Double Suicide (Nagisa Ōshima, 1967)
The Collector (William Wyler, 1965)
In Harm's Way (Otto Preminger, 1965)
Fists in the Pocket (Marco Bellocchio, 1965)
Letter Never Sent (Mikhail Kalatozov, 1960)
Fahrenheit 451 (François Truffaut, 1966)
I Was Nineteen (Konrad Wolf, 1968)
Diary of a Chambermaid (Luis Buñuel, 1964)
An Actor's Revenge (Kon Ichikawa, 1963)
Walden (Jonas Mekas, 1969)
Blind Beast (Yasuzō Masumura, 1969)
Love Affair, or the Case of the Missing Switchboard Operator (Dušan Makavejev, 1967)
Night and Fog in Japan (Nagisa Ōshima, 1960)
Mothlight (Stan Brakhage, 1963)
Live for Life (Claude Lelouch, 1967)
The Passion of Anna (Ingmar Bergman, 1969)
Masculin Feminin (Jean-Luc Godard, 1966)
The Dirty Dozen (Robert Aldrich, 1967)
In the Heat of the Night (Norman Jewison, 1967)
The Rope and the Colt (Robert Hossein, 1969)
Gare du Nord (Jean Rouch, 1965)
A Man Vanishes (Shōhei Imamura, 1967)
The Hill (Sidney Lumet, 1965)
Black Sunday (Mario Bava, 1960)
They Shoot Horses, Don't They? (Sydney Pollack, 1969)
Warrendale (Allan King, 1967)
Les Biches (Claude Chabrol, 1968)
Wings (Larisa Shepitko, 1966)
Elmer Gantry (Richard Brooks, 1960)
Herzog Blaubarts Burg (Michael Powell, 1963)
Rachel, Rachel (Paul Newman, 1968)
Le Grand Amour (Pierre Étaix, 1969)
Two for the Road (Stanley Donen, 1967)
Fellini Satyricon (Federico Fellini, 1969)
The Flat (Jan Švankmajer, 1968)
The Girls (Mai Zetterling, 1968)
Last Summer (Frank Perry, 1969)
The Professionals (Richard Brooks, 1966)
Antoine et Colette (François Truffaut, 1962)
Spartacus (Stanley Kubrick, 1960)
Mary Poppins (Robert Stevenson, 1964)
Culloden (Peter Watkins, 1964)
Midnight Cowboy (John Schlesinger, 1969)
A Shot in the Dark (Blake Edwards, 1964)
The Shooting (Monte Hellman, 1966)
Mouchette (Robert Bresson, 1966)
The Cloud-Capped Star (Ritwik Ghatak, 1960)
Two or Three Things I Know About Her (Jean-Luc Godard, 1966)
The Party (Blake Edwards, 1968)
The Naked Island (Kaneto Shindō, 1960)
Passenger (Andrzej Munk & Witold Lesiewicz, 1963)
Days of Wine and Roses (Blake Edwards, 1962)
Stolen Kisses (François Truffaut, 1968)
The Odd Couple (Gene Saks, 1968)
The War Game (Peter Watkins, 1965)
Faster, Pussycat! Kill! Kill! (Russ Meyer, 1966)
Salvatore Giuliano (Francesco Rosi, 1961)
Alphaville (Jean-Luc Godard, 1965)
Le Doulos (Jean-Pierre Melville, 1962)
The Pink Panther (Blake Edwards, 1963)
The Producers (Mel Brooks, 1968)
Baron Prásil (Karel Zeman, 1961)
Witchfinder General (Michael Reeves, 1968)
Inside Daisy Clover (Robert Mulligan, 1965)
Loves of a Blonde (Miloš Forman, 1965)
The Night of Counting the Years (Shadi Abdel Salam, 1969)
Tokyo Drifter (Seijun Suzuki, 1966)
The Fearless Vampire Killers (Roman Polański, 1967)
Fail-Safe (Sidney Lumet, 1964)

[beaumont]

Muchas gracias, PREACHER. Yo no soy nada de hacer listas de películas, libors, discos favoritos, etc (simplemente soy incapaz), pero me gusta mirar las de otros, que siempre se descubren cosas.. Me la copio-pego y voy comprobando cuánto me queda por ver, buff.