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Orson Welles
Le Procès
(The Trial /
El proceso / Il processo / Der Prozess)
(France-West Germany-Italy, 1962) [B&W, 118 m.].
IMDb.
Adaptación de la celebérrima novela de Franz Kafka. Describe las tribulaciones de un pobre oficinista, Joseph K., que es detenido por la policía debido a un crimen terrible que nunca se especifica, y del que K. no tiene ninguna conciencia. Orson Welles atrapa el alucinante y absurdo proceso judicial al que es sometido el protagonista, un Anthony Perkins que dos años antes había saboreado las mieles de la gloria gracias a Psicosis. Destaca la tenebrosa fotografía en blanco y negro de Edmond Richard, que por momentos convierte la película en algo muy próximo a un título de terror.
Joseph K., est un assistant de direction dans une gigantesque administration. Vaniteux et sûr de son bon droit, il poursuit une existence toute tracée dans un service où il a de bons espoirs de promotion. Il se réveille ce matin-là chez lui et trouve la Police dans sa maison. Un agent lui remet un ordre d'arrestation sans pour autant lui dire de quoi il est accusé. Sachant qu'il n'a commis aucun crime ou délit, il cherche d'où vient ce mandat d'arrestation, par qui il a été écrit et pour quelle raison. Peu à peu, il commence à douter, le système judiciaire se referme peu à peu sur lui, inéluctablement... (Cinémotions)
IMDb. Josef K wakes up in the morning and finds the police in his room. They tell him that he is on trial but nobody tells him what he is accused of. In order to find out about the reason of this accusation and to protest his innocence, he tries to look behind the facade of the judicial system. But since this remains fruitless, there seems to be no chance for him to escape from this Kafkaesque nightmare.
AMG SYNOPSIS: Much of Orson Welles' latter-day reputation as an "unfathomable" genius rests upon his seeming unwillingness to tell a story in clear, precise fashion. Sometimes, as in such films as Touch of Evil, Welles' spotty storytelling skills can be forgiven in the light of the excellent visuals. In other cases, as in his 1962 adaptation of Kafka's The Trial, Welles'style comes across as empty virtuosity, precious and petulant when it should be profound. Anthony Perkins plays Joseph K, a man condemned for an unnamed crime in an unnamed country. Seeking justice, Joseph K is sucked into a labyrinth of bureaucracy (Welles once described the character as being a "little bureaucrat" himself, who deserves to be punished. This is never clearly expressed in the finished film). Along the way, he becomes involved with three women -- Jeanne Moreau, Romy Schneider, Elsa Martinelli -- who in their own individual ways are functions of the System that persecutes him. While Welles considered The Trial one of his finest films, this enthusiasm is not universally shared; even his most fervent admirers have been known to emerge from a screening of the film with quizzical, disappointed expressions on their faces. On the plus side, Welles and his cinematographer Edmond Richard perform miracles in transforming an abandoned French railway station into the headquarters of a totalitarian, red tape-ridden society. It's also fun to hear Welles' voice emanating from several of the supporting characters (his post-dubbing budget was nil). All in all, however, The Trial never truly works; it is unfair, however, to lay the blame for this entirely on Welles, inasmuch as the 1948 and 1994 attempts to cinematize the original Kafka novel likewise came a cropper. -- Hal Erickson
AMG REVIEW: In this 1962 production, director Orson Welles uses the same black-and-white palette that made him famous in Citizen Kane to paint a surreal portrait of an ordinary man lost in the abyss of a totalitarian legal system. The plot is simple: Police arrest bank clerk Joseph K (Anthony Perkins) but refuse to tell him why. Citizen K then spends the rest of the film trying to exonerate himself. The theme of the film is the individual's powerlessness against the tyranny of a super state -- or any other force over which meager man has no control. The novel on which Welles based the film -- Franz Kafka's 1925 masterpiece Der Prozess (The Trial) -- used that theme to foreshadow the monstrous injustice of the fascist dictatorships of the 1930s. In the film, Welles follows Citizen K on his odyssey through a labyrinthine legal system that calls to mind the nine circles of Dante's Inferno. To intensify Citizen K's alienation, Welles isolates him in cavernous courtrooms and shadowy streets as K attempts to vindicate himself. Though unrelievedly gloomy, the motion picture has moments of off-the-wall humor. Citizen K's lawyer, for example, is Welles himself, a bedridden good-for-nothing whose nurse has webbed fingers. As K pursues justice, one can almost picture Welles behind the camera gleefully prodding his woebegone marionette deeper and deeper into his maze of despair. At the height of his frustration, K runs through a dark corridor with decaying walls admitting slivers of light that prick his sanity. Perkins exhibits the right mix of confusion, vulnerability, and rebellion to present his character as a hapless victim. Because the film sometimes looks more like a Dali painting than a motion picture, many critics dismissed it as trumpery after it debuted. Decades later, however, some critics took a second look at it, concluding that it was a work of genius. The consensus today is that there is no consensus. Depending on the viewer's tastes and perspective, The Trial is either supremely boring or supremely fascinating. -- Mike Cummings
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The Trial 50th Anniversary / StudioCanal Collection (2012) / DVDBeaver review.
Specs:
Screenshots:
eLink:
Le.procès.1962.BD.MiniSD-TLF.mkv [963.69 Mb] 
Subtitles (mkv container): English, Chinese.
Subtitles (direct download): english / english HI / english FORCED / spanish.
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The Trial 50th Anniversary / StudioCanal Collection (2012) / DVDBeaver review.
Specs:
Código: Seleccionar todo
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Le.procès.1962.BD.MiniSD-TLF.mkv [963.69 Mb] Subtitles (mkv container): English, Chinese.
Subtitles (direct download): english / english HI / english FORCED / spanish.
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me alisto a la propuesta de loperena. gracias. sin dudas con la inolvidable rommy y la gran dama francesa moreau. 
